PDF Ebook Does God Exist?: The Debate between Theists & Atheists, by J. P. Moreland Kai Nielsen

PDF Ebook Does God Exist?: The Debate between Theists & Atheists, by J. P. Moreland Kai Nielsen

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About the Author

J. P. Moreland, is an American philosopher, theologian, and Christian apologist. He currently serves as a Distinguished Professor of Philosophy at Talbot School of Theology at Biola University in La Mirada, California. He is the author of thirteen books.Kai Nielsen is professor emeritus of philosophy at the University of Calgary and the author of thirty-two books and more than four hundred articles. His works include Atheism and Philosophy, Does God Exist? (with J. P. Moreland), Ethics without God, Exploitation, Globalization and Justice, Naturalism and Religion, Naturalism without Foundations, and Why Be Moral?

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Product details

Paperback: 320 pages

Publisher: Prometheus Books; 0003rd edition (April 1, 1993)

Language: English

ISBN-10: 0879758236

ISBN-13: 978-0879758233

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

18 customer reviews

Amazon Best Sellers Rank:

#1,343,384 in Books (See Top 100 in Books)

You know something is terribly wrong when everyone who comments on a debate -- including the debaters themselves, subsequently -- think the debate sucked. It is obvious why to almost everyone: theist and atheist alike. The two men, with J.P. Moreland representing the Christian side and Kai Nielsen representing the atheistic side, couldn't be more dissimilar in terms of both their intellectual priorities and debating styles. The result of this is that the two men completely talk past one-another. As one of the theistic commentators noted (Craig), one of the most fundamental elements of a good debate, clash, or the head-to-head, back-and-forth treatment of various common points, is entirely missing from this. It almost reads like someone spliced together arguments from entirely different debates. I would also agree with Craig that this is largely Nielsen's fault: he put all of his eggs in one basket, and refused to address any of the points raised by Moreland. He talks, almost with pride, about how he just doesn't give a hoot about the historical Christian proofs of Jesus Christ's resurrection. Now, I think almost all of Moreland's arguments, from his arcane cosmological argument to his statistical arguments to his scientific arguments (interesting how theists are quick to invoke scientific theories which support their position even as they attack other theories which are at least as well-established by evidence), are poor stuff. However, he at least supplies Nielsen with an ample amount of material to cover in their debate. Nielsen refuses to engage Moreland, however, and keeps on his incoherency argument, which, while I think essentially valid, is poorly presented by him. As if this wasn't bad enough, I also share Moreland's irritation with Nielsen's thoroughly dismissive attitude toward science. No, scientific models will never attain the level of certainty found in logical or mathematical proofs, but they are still the best we have to work with and, indeed, given the wide-range of evidence for, say, the big bang theory, which is the theory invoked by Moreland, it is unimaginable that this theory is flat out wrong. In all likelihood as we learn more it'll be revised to incorporate new discoveries, but given the power and likely permanence of the theory, it is intellectual irresponsible to dismiss it out of hand as Nielsen does here. Nielsen comes off as an arrogant and thoroughly obnoxious intellectual lightweight who has refused to do his homework.Other contributions are better. Namely, Keith Parsons and Dallas Willard. Willard presents impressive philosophical arguments in favor of supernaturalism, and completely wipes the floor of Craig and Moreland, who rely on poor scientific and metaphysical arguments. Parsons takes on Moreland's points head-first, pointing out hidden assumptions and bad premises in his opponent's arguments. He is also scientifically literate, and devastates Moreland's argument concerning abiogenesis (which is really Fred Hoyle's argument). Flew's contribution isn't terrible, but it left me cold. It is, however, superior to Craig's contribution.I give this book two stars for some decent commentary by Parsons and Willard, but I won't suggest purchasing this book just for their pieces, since their contributions make up a very small proportion of the total page-space employed. Otherwise, this book stinks, because the debate stunk.

I should preface this by saying that I am, in fact, a theist.That said, I thought that the *theist* position was very poorly represented. Moreland and Craig's arguments were simply bad philosophy. There was the occasional good point here and there, but on the whole, there were so many holes that even I, an amateur, could have picked them out. Fortunately, Neilsen did an excellent job of riping their arguments to shreds. I found this very intellectually interesting, as it this exchange really illustrated the common standards of a good philosophical argument.Flew and Parson's arguments were also not so great, but still better than Moreland's. Fortunately, Willard's piece (one of the theists) was simply excellent. He too pointed out the numerous issues with Moreland's argument, and even Neilsen complemented him on his argument. In fact, Neilen commented that a debate between he and Willard would have been far more fruitful, and I wholeheartedly agree. (I would likely not hesitate to give such a work a 5-star rating, assuming they found some better arguers than Moreland and Craig to round out the work.)In general, I do recommend reading this book, because it's useful to see how one should *not* argue, and what does make a good argument. (Of course, a sophisticated philosopher may find this all very tedious, in which case they should probably simply read the individual works of Neilsen and Willard.) In my opinion, the quality of Neilsen and Willard's arguments do make up for the rest of the arguments. Craig's arguments are interesting, though, in my opinion, untenable.On the whole, I'm surprised to see that other reviewers thought that the theists won--I thought the atheists won! On the theist side, there was only one philosopher worth his salt, while all the atheists were generally quite good. (Though, I should say, I was not very impressed with Flew's arguments, as presented here. I'm not familiar with his other work, which I assume is much better, given his esteemed status in the philosophical community.) I was also very intellectually disappointed in Moreland and Craig, especially because I myself am a theist. They are very clearly allowing their beliefs to cloud their arguments, and they seem blind to the many fallacies they are promulgating. In fact, they give theist philosophers a bad name. (Without Willard's piece, in fact, I would simply not have recommended this work.)So, in conclusion, I think this is a good work, but could have been much better.

This book is a written version of the debate between J.P. Moreland and Kia Nielsen. Both men are well known in their respective fields. Moreland a Christian theist and Nielsen an Atheist, "duke it out" and try to convince us if there is or is not a God. Even though I like J.P. Moreland, and he clearly wins the debate, he isn't at his top form. Further, Nielsen is sloppy and presents an old and already disgarded argument.The strength of this book are the contributors: Lane Craig and Willard (Christians) and Flew and Parsons (Atheists) right good strong rebuttals. They all write their position with dynamic passion. I'm partial to William Lane Craig in this book, but must admit that all the contributers did a fine job and therefore, make this book a must read.

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Download Ebook Daily Rituals: How Artists Work, by Mason Currey

Download Ebook Daily Rituals: How Artists Work, by Mason Currey

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Daily Rituals: How Artists Work, by Mason Currey

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From Booklist

Writers and artists are always asked about their process, including the crucial question, “How do you do meaningful creative work while also earning a living?” Currey set out to amass as much information as he could find about the routines “brilliant and successful” creators adopted and followed, and the result is a zestful survey of the working habits of “some of the greatest minds of the last four hundred years.” This zealous and judicious volume brims with quotes and fascinating disclosures about the vagaries of the creative life. Currey outs the habits of nearly 200 choreographers, comedians, composers, caricaturists, filmmakers, philosophers, playwrights, painters, poets, scientists, sculptors, and writers in a dizzying array that includes Benjamin Franklin, Henri Matisse, Nikola Tesla, Stephen King, Twyla Tharp, Federico Fellini, Ann Beattie, Gustav Mahler, and Toni Morrison. Here are early birds and night owls, the phenomenally rigorous and the nearly dysfunctional. George Balanchine thought things out while ironing. Maya Angelou writes sequestered in a “tiny, mean” hotel room. Marilynne Robinson confesses, “I really am incapable of discipline.” Currey’s compendium is elucidating and delectable. --Donna Seaman

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Product details

Hardcover: 304 pages

Publisher: Knopf (April 23, 2013)

Language: English

ISBN-10: 0307273601

ISBN-13: 978-0307273604

Product Dimensions:

5.3 x 1 x 7.5 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

376 customer reviews

Amazon Best Sellers Rank:

#9,196 in Books (See Top 100 in Books)

As is described in the Introduction, the most interesting thing about the artists, thinkers and inventors included in this book is that they all have unique rituals that help them work. The majority of personalities are writers, but visual artists, composers and philosophers are also covered. I find it refreshing to read about how apparently "lazy" some of the artists are, while others are absolutely rigid with their routines.The only thing the book seems to be missing is pictures of the artists' work spaces. The space and tools with which an artist creates are also of interest and plays into the rituals that go along with the creative process. Much of this information could probably be gleaned from extensive digging on Wikipedia, but Currey does a good job of keeping things clipping along and you find yourself reading a few extra profiles of artists whose names you may not recognize. An enjoyable read and quite easy to pick up and put down.

So here's the takeaway:1. The people described in this book all work very hard and, frequently, VERY long hours.2. Regular, extended exercise - usually walking - is frequently an important part of their routines.3. They're mostly early risers, with significant exceptions, and do their best work in the first several hours of the day. There are a few nightowls but not many.4. They have a work routine that they adhere to almost fanatically.5. Finally, implicitly, habits are key in their successes and productivity.There, I've saved you the price of this book.The stories about the different artists are frequently interesting on their own account and very useful in fleshing out the "takeaways" listed above. I don't think it's intended as a self-help book. The author doesn't attempt to derive a series of lessons from his subjects' activities but a pattern emerges after reading a lot of these.

Excellent book for those readers who want to get a glimpse into the schedules of extraordinary talented artists...namely, that even true masters have to find the mundane ritual of daily routine a necessity when creating great work. The creative process is often thought of as elusive and transient, however this book goes to great lengths to show how a steady working schedule can often lead to some of the modern world's greatest creative achievements. Very inspiring for those wanting to create some kind of art in their day...

Small format books ask us not to take them seriously, but don't be fooled here. This little gem is a fount of inspiration for anyone with creative urges and dreams. The diversity of creators represented is a welcoming affirmation that whoever you are and however you create, there's a place for you at the table. If you're disciplined, you'll find models of discipline. If you're a hard partier, you'll have good company. If you're reclusive, you'll be affirmed in your desire and need for solitude. Mason Currey has done a fine job bringing creators from many centuries into our awareness to speak for themselves or be spoken about. Thank you.

This book was described in a catalog I receive. It sounded interesting so I checked out a copy from the local library. Half way through reading a library copy I ordered a copy. If you do creative work of any kind you are probably trying to find out how to organize your time and effort for best results. I am. I wanted to see how successful artists do it. This book is heavily researched and also very readable. It is not a 1,2 & 3 and you will be successful type book. It is about life stories. I bought a copy for ongoing reference. I have read it through and i'll be referring to it over the years.

I enjoyed this book and I wrote a complete review on my website. It's a bit lengthy to post here, but the following excerpt should be more enough to get my point across. Is your creativity driven by a looming deadline? Do you need four or five cups of Diet Pepsi or tea before you can even think of putting one word on the paper? Does the rest of the world need to be sleeping for you to hit your stride? Do you sometimes type the title of an article on the page just to see words on the page? Okay, well maybe I’m the only one that does those things. If not, join the ranks of many creatives that have rituals or behaviors that get their creative muscles warmed up and ready for the battle of the blank sheet or canvas.As a creative who grew up with other creatives, Daily Rituals piqued my interest and would hopefully feed my curious nature. Maybe this middle of the night creative could pick up a few tricks of the trade from some of the most successful artists in the world. Perhaps I could gain a little insight into how they became so successful and in some cases are still going strong. If nothing else, it would be fun to take a peek behind the curtain.And it was. I really enjoyed this book and I would recommend it to anyone looking for a quick, informative, enjoyable read.

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Free PDF Hack and HHVM: Programming Productivity Without Breaking ThingsBy Owen Yamauchi

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How can you take advantage of the HipHop Virtual Machine (HHVM) and the Hack programming language, two new technologies that Facebook developed to run their web servers? With this practical guide, Owen Yamauchi—a member of Facebook’s core Hack and HHVM teams—shows you how to get started with these battle-tested open-source tools.

You’ll explore static typechecking and several other features that separate Hack from its PHP origins, and learn how to set up, configure, deploy, and monitor HHVM. Ideal for developers with basic PHP knowledge or experience with other languages, this book also demonstrates how these tools can be used with existing PHP codebases and new projects alike.

• Learn how Hack provides static typechecking while retaining PHP’s flexible, rapid development capability
• Write typesafe code with Hack’s generics feature
• Explore HHVM, a just-in-time compilation runtime engine with full PHP compatibility
• Dive into Hack collections, asynchronous functions, and the XHP extension for PHP
• Understand Hack’s design rationale, including why it omits some PHP features
• Use Hack for multitasking, and for generating HTML securely
• Learn tools for working with Hack code, including PHP-to-Hack migration

• Sales Rank: #613652 in Books
• Published on: 2015-09-26
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x .50" w x 6.90" l, .0 pounds
• Binding: Paperback
• 284 pages

About the Author

Owen Yamauchi is a software engineer at Facebook where he works on the HHVM team. Before joining Facebook in 2009, he interned VMware and Apple. Owen grew up in Belgium and earned his BS in Computer Science at Carnegie Mellon.

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